![]() ![]() This route can be difficult to replicate through multiple studio sessions. Many artists modify etching or lithography ink with oil, tack reducer, or other modifiers for relief printing. Portland Intense Black Relief Ink Working Properties Ideal for engravers, printers of mezzotints, or others who need more resistance from their ink. ![]() Portland Cool BlackĬool in color with the same working properties as Portland Black. This ink will be the choice of those doing edition printing, and those working in schools that need an ink for general printing techniques. the most potential for subtle value shiftsįormulated to wipe with ease, offers a moderate level of plate tone ideal for creating subtle value shifts, and still prints sensitive plates like drypoint beautifully.The Portland Black Inks were developed specifically for edition printers who want inks with excellent working characteristics. While they are very strong blacks, the warmth can lessen the feeling of depth to some artists, so a more neutral or cool black may be a better fit. To illustrate, Bone Black and Carbon Black vary significantly in working properties but they share a warm color temperature. These color differences, while subtle, can affect the overall look and feel of a finished print. In the masstone (lines or heavy rollouts)the color temperature is imperceptible, but each ink leaves a plate tone that is either warm or cool. Most black pigments are not perfectly neutral in color. Portland Stiff Black ( R) stiffer ink leaving more plate tone. Bone Black (L) wipes easily leaving less plate tone. An ink with these working properties would not be ideal for a mezzotint, for which a stiffer ink is better suited.Įxample of the same plate printed with two different black inks. If an image would be best served by having strong contrasts in value, it may be ideal to use an ink that wipes easily and leaves very little plate tone. Beyond this, there are a range of working properties to choose from. With the wide array of techniques that fit under the intaglio umbrella comes the need for a range of working properties to accommodate them.Īt a basic level, intaglio inks must be able to be wiped from the plate without pulling ink from the incised lines and the remaining ink must then transfer fully to the paper. Each black is designed to meet specific needs in both depth of color and printability. Gamblin Etching Inks are designed for printmakers who need a strong line and a great sensitivity to detail. We have developed five Blacks and Graphite for printmakers using intaglio printing processes. For simplicity, we will discuss Working Properties and Color within the context of each Printing Method. Color: Does the final image need to feel warm or cool? Does it need to give a feeling of depth?īy considering how you need the ink to roll out (in the case of relief printing), how the plate needs to wipe and how much plate tone would benefit your print, it will become easier to choose an ink suited to your project.Working properties: How does it roll out? How does it wipe? Does it leave a lot or a little plate tone?.Printing Method: Are you creating an intaglio, relief, or monotype?.Whether you are using Gamblin Inks or those of another ink manufacturer, there are three considerations that can guide artists to the appropriate ink (in this case the appropriate Black ink) for their project. For this reason, we have formulated a line of Relief Inks in addition to our line of Etching Inks. By using an ink formulated specifically for your chosen technique, unnecessary customization, waste, and variables can be eliminated from the process. We believe the best recipe for a successful print, and for permanence, is to use inks that require little to no modification to print properly. This often results in complex mixtures of ink and modifiers which can be difficult to replicate in future projects – and all just to be able to pull a decent print. Many artists are used to inks needing modification with plate oil, tack reducer, or other additives each time they print. An ink needs to perform throughout the printing process and also to serve the final image. When choosing an ink, the questions to ask are ones focused on printability.
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